Perhaps most importantly, the film gave a generation of young women a different kind of heroine. Mia Wasikowska’s Alice doesn’t spend the film searching for a husband or a way home; she spends it searching for her own spine. In the final battle, she literally grows to 9 feet tall, sheds her dress for armor, and declares, "I make the path." It is a triumphant image that resonates far deeper than the film’s occasional CGI fuzziness.
who, fleeing an unwanted marriage proposal, falls down a rabbit hole and returns to "Underland," a place she visited as a child but believes was only a dream. She discovers that the Red Queen has usurped the throne from her sister, the White Queen, and rules with a reign of terror. Alice learns she is the chosen one destined to slay the Jabberwocky alice.in.wonderland.2010
Stepping into the Gothic Whimsy of 2010 Underland. 🧵🕯️ Perhaps most importantly, the film gave a generation
Upon release, the critical consensus was mixed. Roger Ebert gave the film three stars, praising the art direction but noting the plot was "confusing." Others accused Burton of sacrificing emotional depth for visual clutter. who, fleeing an unwanted marriage proposal, falls down
If you haven’t revisited alice.in.wonderland.2010 since its original release, now is the time. Viewed through a modern lens, the film’s feminist subtext is striking. In an era of "strong female characters" who can fight, Alice is a different kind of hero: one who fights the battle of cognitive dissonance. She must convince herself she has value before she can save anyone else.