Unlike fast-paced Hollywood blockbusters, Toma is a slow-burn emotional journey. The film alternates between Toma’s final days in 1991 (filmed in gritty, desaturated tones) and his golden years in the 1970s (warm, vibrant colors). To appreciate the cinematography, you need a resolution. The melancholic close-ups of Milan Marić (who plays Toma) require you to see every tear, every drop of rakija, and every cigarette’s smoke curling into the night.
Find or festivals where it might still be playing. Recommend similar biographical films from the Balkans. domaci film toma zdravkovic ceo film better