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This paper examines the Malayalam film Bhoothakaalam (2022) through the lens of the "Index of the Uncanny" and the "Index of the Gothic." Unlike traditional Indian horror cinema, which relies on external supernatural entities, Bhoothakaalam shifts the locus of horror to the interior—both architectural and psychological. By analyzing the film’s use of the "Old Dark House" trope and the psychoanalytic concept of the Unheimlich (the uncanny), this paper argues that the film functions as an index of post-pandemic anxiety, where the boundaries between mental illness and supernatural haunting are deliberately blurred. If you’ve landed on this page, you are