We are living in a renaissance. For the first time in the history of moving pictures, a woman over 50 is not a punchline, a villain, or a memory. She is the protagonist.
Back in her trailer, after the after-parties, Francesca sat in the quiet. She looked at the script for her next project—a noir where a retired detective solves her own daughter’s murder, no male partner, no romantic subplot, no apology. She smiled. We are living in a renaissance