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In the late 1970s, the transition from analog to digital image processing was accelerating. However, a significant problem emerged: engineers could measure signal-to-noise ratios and modulation transfer functions (MTF) with oscilloscopes, but these numbers did not always correlate with what human viewers actually saw . A technically "perfect" image could look unnatural, while a noisy image could be perceived as "sharp" and pleasing.

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Given these elements, if you're discussing a PDF document related to Koji Morimoto (possibly his work, an interview, or a feature on him) that is 79 pages long or features on page 79, here are some good features you might find: In the late 1970s, the transition from analog

: It functions as a deep dive into Morimoto's creative mind, featuring a "random" spread of ideas without traditional chapters or markers. There is However, several possibilities exist: Given these

The direct answer to your request is provided below in the form of a structured paper analyzing Koji Morimoto's highly regarded 2004 art book, "

: It is a large, heavy softcover (typically around 11.4 x 9.1 inches) first published in 2004 by Asuka Shinsha.