Voice of a Princess: Lissette Chan’s "Bonjour" Transforms Disney Nostalgia
What elevates this cover from "good" to "must-listen" is the atmosphere Chan creates. Backed by a production that mirrors the original orchestration—complete with sweeping strings and that unmistakable harp introduction—she transports the listener straight to the ballroom scene. It is a testament to the power of the human voice: without the animation, without the dancing cutlery, Chan makes you see the golden light and the swirling yellow dress just by listening. Voice of a Princess: Lissette Chan’s "Bonjour" Transforms
Overall, Lissette Chan's work on "La Bella y la Bestia" is a testament to her skill and dedication as a voice actress, and her contributions to the world of Disney dubbing have helped to bring joy and magic to audiences across Latin America. Overall, Lissette Chan's work on "La Bella y
: While primarily a cover artist, her profile on the Anime Voice-Over Wiki notes her participation in additional voices for projects like BLUELOCK and Kaguya-sama: Love is War under the name Lisette Monique Diaz. without the dancing cutlery