Research from the Center for the Study of Women in Television & Film highlights three systemic issues:
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The landscape for mature women in entertainment is currently defined by a "new era of visibility" that simultaneously celebrates major breakthroughs and grapples with deep-seated systemic ageism. While recent years have seen record-breaking award sweeps and leading roles for actresses over 50, researchers from the Geena Davis Institute and USC Annenberg highlight that these successes often mask a persistent "narrative of decline" in broader media. Research from the Center for the Study of
are challenging this, arguing that aging isn't about losing beauty, but finding a "different kind of beauty" that is more honest and striking. A New Era of Longevity are challenging this, arguing that aging isn't about
The data confirms that . Young audiences (Gen Z and Millennials) are increasingly rejecting the toxic beauty standards of previous eras. They want to see realistic portrayals of aging. They follow "grandfluencers" on TikTok and admire the authenticity of older women who have stopped trying to look 25.
Davis has explicitly campaigned against age and race bias. Her portrayal of Annalise Keating in How to Get Away with Murder (2014–2020) was revolutionary: a sexually active, brilliant, flawed law professor in her 50s. Davis’s production company, JuVee Productions, actively develops projects featuring "over-40 women of color as protagonists, not sidekicks."