Pemerintah dan pihak kepolisian mengimbau masyarakat untuk tidak mencari atau menyebarkan video kekerasan tanpa sensor terkait Tragedi Sampit karena: journal.forikami.com

The uploader’s insistence on “no sensor” operates as a : it foregrounds the very act of seeing as an act of resistance. This resonates with Roussel & Dufour’s (2020) notion that “rawness” can be weaponized to delegitimize institutional control over information. In the Sampit case, the aesthetic simultaneously (a) contests state monopoly over conflict narratives, and (b) positions the viewer as a moral arbiter forced to confront “unmediated reality.”